Film Reviews
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Great camera--and at the price--it better be!
- 35mm SLR camera with date/time imprint function
- 7-point autofocus
- 35-zone metering system
- Compatible with more than 50 Canon EF lenses, EX-series Speedlites, and many other EOS system accessories
- Powered by 2 CR2 lithium batteries housed inside the camera grip
List price: $319.99 (that's NaN% off!)

A great cameraIt is simply a great camera at a great price. It works as well as any 35mm camera on the market, has a reasonably fast winder, and best of all it takes all of the huge variety of EF Canon lenses. It is actually very light, so you can carry it around without fatigue, or you can bulk it up by adding the extended grip (which gives it a very nice feel).
The zoom lenses are a little slow. I recommend that you get the body only, and start with the 50mm f/2.8 MKII lens, which is a steal at about $70. Together, they make an outstanding, affordable, high-quality package for those of us who still love film more than digital.

- 35mm SLR camera without lens
- 7-point autofocus
- 35-zone metering system
- Compatible with more than 50 Canon EF lenses, EX-series Speedlites, and many other EOS system accessories
- Powered by 2 CR2 lithium batteries housed inside the camera grip
List price: $289.99 (that's NaN% off!)

A great cameraIt is simply a great camera at a great price. It works as well as any 35mm camera on the market, has a reasonably fast winder, and best of all it takes all of the huge variety of EF Canon lenses. It is actually very light, so you can carry it around without fatigue, or you can bulk it up by adding the extended grip (which gives it a very nice feel).
The zoom lenses are a little slow. I recommend that you get the body only, and start with the 50mm f/2.8 MKII lens, which is a steal at about $70. Together, they make an outstanding, affordable, high-quality package for those of us who still love film more than digital.

- Complies with the "CompactFlash Association" Standard Specifications, Version 1.4
- Complies with ATA Standard Specifications (via PCMCIA adaptor) and IO/Card Mode
- Compatible with True IDE mode
- NAND type Flash Memory
- Capacity from 32 MB to 1 GB
Buy one from zShops for: $69.62

CF Ultra vs CF StandardRecently, I needed to purchase another CF card and thought I would save some money and buy the EP Memory 512MB CF card. (...)
After receiving the card I immediately installed the card to see if I made a mistake. After using the CF card I could not see and difference in how either card worked. I am not saying that the Ultra is not faster, I am just saying, I could not tell.
If you are a novice like me with digital cameras, you really do not need to spend the extra money for a faster card.

Used price: $21.24
Buy one from zShops for: $14.75

RICOHJPNR01 brand (top quality)
Used price: $11.71
Buy one from zShops for: $9.00

So far so good.
- Its adjustable neck cord makes it positively portable
- A high quality Fujinon lens gives you consistently superb image quality
- Drop in film loading with Auto Advance and Rewind, Mid-Roll Rewind
- Built-in flash with red eye reduction, so you can take great pictures indoor and out
- Fujinon Lens - 22mm, f/8; 2 components, 2 elements

I love this guy
- ISO 400 is a sensitive film that provides a broad range of photo opportunities in dimly lit situations
- Excellent general-purpose film
- Captures true color even under fluorescent lights
- 2-stage timing DIR couplers for improved color brilliance and outstanding sharpness
Used price: $7.80
Buy one from zShops for: $5.10

Comparable Fuji & Kodak APS filmsFor ASA 100, Kodak kicked butt. Clearly better color rendition, and much, much tighter grain and better detail in all the bright lighting situations, especially with panorama print.
For ASA 400, I was pleasantly surprised that Fuji really outperformed the Kodak film. Fuji had vibrant blues and was good all across to the reds. Kodak felt washed out on the blue side, weirdly. Also surprising was that Fuji had tighter grain in bright conditions; they both looked grainy of course in lower light, but the Fuji somehow felt smoother or less chunky in the blown-up panorama prints. It also seemed to have better tonal range in both light and dark settings.
Frankly, neither of the ASA 200 films seemed acceptable to me for outdoor shots; indoors with flash, both were OK and Kodak was maybe better color. Outside, they both felt lower contrast/saturation, subsequently cramped color, didn't have the tight grain of the 100, and didn't work as well in low light and indoors (without flash) as the 400. Just seemed not worth it compared to the two options.

- 35mm compact point-and-shoot
- 35-60mm 1.7x zoom lens with autofocus
- Multi-mode flash features red-eye reduction
- Automatic film advance and rewind with easy film loading
- Quartz date imprinting
List price: $69.99 (that's NaN% off!)
Used price: $34.99

A phenomenon
- 35mm SLR camera with EF 28-80 II standard zoom lens
- 7-point autofocus
- 35-zone metering system
- Compatible with more than 50 Canon EF lenses, EX-series Speedlites, and many other EOS system accessories
- Powered by 2 CR2 lithium batteries housed inside the camera grip
List price: $389.99 (that's NaN% off!)
Buy one from zShops for: $250.85
Another reason I like the the medium format in this Contax is that digital won't be able to touch it soon. I've calculated that the typical 35 mm negative has about 20 to 40 million pixels of information. With digital cameras now achieving 10-14 megapixels, they've reached the lower end of the my estimate for film.
However, my Fuji 6 x 9 cm has 8 times the area of a normal 35 mm negative, which translates into about 250 megapixels, which digital cameras are unlikely to achieve soon, at least in the next few years. Maybe 10 years, I'd believe that. In the meantime, I'll stick with a great medium-format film camera like the Contax or my Fuji.