Filter Reviews
More Pages: Filter Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500

- 3-Pole analog anti-aliasing filter for removal of distortion-producing digital artifacts
- 5 independent voltage regulators for ultimate separation of the digital and analog stages
- Low jitter circuitry for optimum clarity
- Twenty bit Sigma-Delta processing for maximum information retrieval
- Converts stereo digital (S/PDIF) to analog stereo from CD, LD, DVD, DSS, DAT or Minidisc
List price: $199.99 (that's NaN% off!)

Great value comes in small packages
- DX-Nikkor reduces the diameter of the lens' image circle, allowing a range of lenses with practical size and excellent performance
- DX-Nikkor lenses offer compact and lightweight design, fast aperture and fast autofocus via NIKON's Silent Wave Motor design
- 180 degree diagonal angle-of-view
- Close range focusing up to a near 5.5 inches
- Innnovative Close Range Correction ( CRC ) technology ensures consistently crisp, sharp images

Wonderful Lens
- Hybrid aspherical lens elements and ED glass elements
- RF (Rear Focus) system for superior performance
- Rectilinear design provides straight line subject rendition
- Built-in flower design lens hood
- F-Stop Range - 2.8-22

Superb, if you can afford itIf you are even considering buying this product, you know very well already what it is and what it does. I just wanted to emphasize the AF speed and clear markings which, in my view, are better than on comparable products from other manufacturers.

- 24mm
- F/2.8
- D-Series
- Auto focus
- Uses 52mm filter
Used price: $199.00

One of the most popular Nikon lenses?24mm is a ideal compromise (between 20mm and 28mm). Wider than this becomes quite distorted, longer than this limits your view. It is ideal for landscapes if you want to include an interesting foreground. It is also a solid lens, and I am happy with the built-quality. The lens is certainly fast enough for me. On top of that, the optical quality is excellent - perfect for enlargements or slide projection. Good contrast, good colour.
Apart from that, the lens is small and lightweight, which again makes it fantastic for outdoor photographers. I love mine.

- The AFZoom-Nikkor 28-105mm f/3.5-4.5DD is compact in size , but big on performance
- It's close-focusing to 1/2 life-size makes it great for close-ups, nature and wildlife photography
- Accepts 62mm filters
- Weight - 19.0 oz.
- Dimensions - 2.8 x 3.5.
Used price: $225.00

practical lensI've had this lens now for about nine months, and it rarely leaves my camera body. The optics are great, the build is far better than what comes in an SLR kit these days. The only suggestion I can give to a buyer is to get a top of the line UV filter, because otherwise, you will notice degradation of the image quality.
This Nikon lens is built well. It has a nice heavy feel that will make you feel better about spending the money on it. I know I love mine. I only wish that Nikon offered a version of this lens with a constant (fast) aperture.

- High-speed normal lens
- Great for travel and for shooting full-length portraits in available light
- Distortion-free images with superb resolution and color rendition
- Provides high-contrast images even at maximum aperture
Used price: $85.00

For amatuers, as good as the faster F 1.4 at less costThe lens is lighter than the F 1.4, presumeably because it contains less lens elements, and is slightly slower @ f 1.8. For the majority of photographers ( we amatuers and weekend warriors ), the lens is MORE than fast enough, and I have noticed no difference compared to my old F 1.4 in how sharp my slides are when using the same film ( Ektachrome 100 ).
Considering the lens is available for less than $ 100, compared to the F 1.4 ( which I have seen as high as $ 269 ), I believe it is a steal. Every aspiring photographer should have a 50 mm lens in their arsenal, and I believe for the money, you cannot go wrong with the Nikon F 1.8

- Compact and lightweight, this 4.3x autofocus zoom lens is ideal for candid shots, portraits, travel and sports photography
- Count on genuine Nikon optics for outstanding picture quality
- This is a G designated lens, not ED series - Nikon Part #1928
- Accepts 62mm filters (see sidebar)
Used price: $159.00

Nikon's 70-300mm G ZoomIt would be unfair if nothing was said about the looks. The lens with its stylish grip, barrel and hood is 200% guaranteed to attract rave admirations and, of course, a lot of envy.
Overall, a good buy and great value for money!


Three thumbs up!
- 1.7x telephoto converter lens
- Compatible with Camedia digital cameras
Used price: $97.48
Buy one from zShops for: $91.89

Pleased
- Can be used on all Pentax SLR camera bodies
- Minimum focus distance of 1.0 feet
- Lens construction of 13 elements in 12 groups
- Fully automatic diaphragm, built in filter
- Comes with a protective lens case
List price: $2,264.99 (that's NaN% off!)

A Fascinating Lens
It needs, as every DAC, some burn-in period before enjoying its job (this is not for acustoming your ear to the sound, but to let it "socialize" with your transport and cables and please, select at least the better cables you can get, your system will pay you back), which is actually done pretty well!
The very first surprise comes just after seeing the tiny size of the box, but don't be fooled by it because, as in computers, you don't need a mega sized component in order to have great performance from it.
It will work great with CD software and some, less common, DVD software with stereo PCM audio soundtrack in 16-20Bit/48kHz and yes, it can decode not only 44.1kHz fs but also 48kHz as it always comes in up to 20 bit and PCM.
I have had the chance to hear some other brands of outboard DACs (such as the Bel Canto DAC-1), which also have additional features, but they are often pricey and I don't think that the performance, specially on CD playback, is 5 to 6 times better just comparing their prices with the NC 203.2
By now (and it is my humble and personal opinion) I don't think it is really important to have 24Bit/96kHz capabilities in an outboard DAC, unless you can also decode DD and DTS from it and enjoy those formats in stereo mode (which I think is a downside as these fomats were originally conceived as multi-channel), or have a considerable collection of 24bit recordings of, for example, Classic DADs or some Chesky's. As you always fed the DAC with original 16Bit/44.1kHz signal, the extra bits of capability just gives the DAC a little more "space" to work with the signal, but not necesarily transforms or adds something to the signal. To do so, you will need an extra device for doing that job, and it generally means extra money, with results varying from one manufacturer to another (it depends highly on subject sonical tastes too) and it will please you having an improved signal through upsamling or dithering or both or DSP-ing.
The sound that the unit presents is, in a word, huge! You can actually feel the depth of the recording room; the sound of whatever you heared before is still there but the sense of space is present, you can also hear some details that you could't before and this is not that the DAC is adding something else in the recorded signal, it is simply that it does its job better than the same job done by the internal DAC of your CD or DVD player.
The comparison between internal DACs and the NC 203.2 could be similar to the one you get on video from a LD compared to a DVD. The LD video was very good, but the DVD is excellent. From other perspective it is like comparing a bi-dimensional presentation of sound, in which you have both height and width, with a tri-dimensional one, which includes depth.
If you compare it with other DACs, you will find out certainly better ones, but you can swear, as I did, that the performance is not several times better the one you get with this unit; perhaps, it will improve by some fractions but they won't surpass the 30-50% while the price will increase up to 10 times.
My advice is if you have the money, spend it and get the best you can buy, but if you are conscius about price/performance ratio, you won't be dissapointed at all with the NC 203.2